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Excellent reading

6 stories2. The House Party-A Christmas house party had seemed just the thing, until murder entered the scene. Now Arabella Stapleton was worried about losing her heart and her life.
3. Sounds of Christmas-Susan Elstow was determined to bring some Christmas spirit to the unhappy inhabitants of Stagsden Hall. But would her mission of cheer be enough for the man she loved?
4. Under the Kissing Bough-Snowbound with the Earl of Westover on Christmas Eve, Rebecca Ware wondered whether the devilishly handsome rake who had saved her life might instead steal her heart...
5. Christmas at the Priory-A war injury, a house full of relatives and a bachelorhood existence had not put Tony Maitland in the best of holiday spirts. But would the lively Miss Ingram soon put things to rights?
6. Winter Enchantment-Lonely and disillusioned with life, Robert Gregory dreaded the holiday season. But a baby left on his doorstep and a mysterious young beauty promised an unusually intriguing Christmas.


Excellent reading material

Well organized, easy reading

Inspired, breathless, imaginative, inventive, superbWithin the poems there is a significant variety in structure and tone although most share a sense of disorientation. There are very inventive images which absolutely fit in the poem although standing alone, that seems impossible. Throughout the poems there was only one image that jarred, one (to my mind) misplaced "piano". Some examples: "Ah yes. A suit of clothes went by / uninhabited, hollow" or "The earth was an enemy, / because it fled. / The sky an enemy, / because it never stopped."
This volume is bilingual - something I appreciate (or demand) in translations of poetry. It is a volume that bears reading and rereading in either or both languages.


Tale of Two Cities: New York and ParisAmerican expatriates living in France, especially Paris, between the great wars, are well known - Hemingway, Pound, Wolfe, Stein, Miller, Fitzgerald, Cummings, Elliot - just to name a few. What is not as well known or realized is that the exodus continued well into the '60s with Black writers Wright, Baldwin, and Himes, with the Beats, Ginsberg, Ferlinghetti, Corso, Burroughs, with mainstream writers, James Jones, Irwin Shaw, Terry Southern, and William Styron, and with academics such as W.H. Auden, Ashbery, Mathews, Brion Gysin, and many many others. What brought them all to France, especially Paris?
Christopher Sawyer-Laucanno's account of American expatriates in France reads like a novel. He enters the minds and hearts of the various authors - their inner thoughts and motivations - in a seemingly effortless narrative, drawing on a vast scholarship. He has read all of their works and letters as well as news and magazine articles of the times. Gertrude Stein was thought to be peculiarly anti-semitic as she sided with the Vichy government, the irascible Hemingway had a vendetta against James Jones (author of *From Here to Eternity*) and Richard Wright noted that "I've learned more about America in one month in Paris than I could in one year in New York." In addition to chronicling little-known facts and anecdotes about the first wave, the author continues the saga with later writers.
He covers all kinds of writing. A most interesting chapter deals with an obscure (in America) experimental French author, Roussel, and the American writers influenced by him - Ashbery, Mathews, Burroughs, Koch. They reinvented what the Dadaists had begun 40 years earlier, a turning of images in cinematic variation, a "systematic derangement of the senses."
Paris is "artistically electric" they agree. Racial prejudice isn't a factor in France (except for the French treatment of the Algerians) but only Baldwin seems to have been upset by this. Where but in France could Ferlinghetti wander into a cafe and find a paper tablecloth with a poem written on it, (signed by Jacques Prevert). "For Ferlinghetti, this was the France of which the legends had been made. On leaving the cafe, he took the tablecloth with him. The incident was prophetic. Fourteen years later, City Lights [in San Francisco] would issue Ferlinghetti's translation of Prevert's 'Paroles'".
Where but in France would landlords lower the rent when they discovered that their tenants were writers or artists? "In short," says this author, "Paris empowered, granted permission to be an artist in a way the United States never had. In the accounts of almost all of the writers profiled in this book, Paris was equated with artistic freedom, with the ability to experiment, to succeed, even to fail, without feeling oneself to be a social deviant [while] In America, they felt, one was more often measured by how financially successful one was, not by what one actually did. Status accrued to those who made money, and the writer, generally not so able to generate an enviable income, was rarely accorded a position of importance in the eyes of the general public."
Said Ginsberg, "You can't escape the past in Paris, and yet what's so wonderful about it is that the past and present intermingle so intangibly that it doesn't seem a burden." Indeed, Paris allowed "la grande permission" for writers "to work out their own aesthetic directions without being unduly swayed by convention, anti-convention or fashion."
This is not, in my opinion, one of those books that you can't put down. There is so much material here to digest and ponder. But if you're interested in the subject, even though it may take you weeks or even months, you will keep picking it up. The only question I have on finishing it is - the continual pilgrimage -is it still continuing? And if not, why not?
pamhan99@aol.com


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Thank you.